Sunday, January 20, 2008
The Golden Suicides
by Vanity Fair
When Theresa Duncan, 40, took her own life on July 10, followed a week later by her boyfriend, Jeremy Blake, 35, their friends were stunned and the press was fascinated: what had destroyed this glamorous couple, stars of New York’s multi-media art world, still madly in love after 12 years?
Lovely Theresa Duncan liked to go for drives along the Pacific Coast Highway in her butter-colored Alfa Romeo Spider, listening to Steely Dan. She liked the band for the stories they told about hard-luck characters. Some of their lyrics were read at her funeral, on July 21, in Lapeer, Michigan, her hometown.
When she moved to Los Angeles, Duncan had a two-picture deal with Fox Searchlight and had written and directed a pilot for Oxygen Media. She had "my boyfriend Jeremy Blake"—she was always bringing him up—literally the poster boy of the 2001 "BitStreams" exhibition of digital art at the Whitney Museum. That same year, Blake had been tapped by director Paul Thomas Anderson to create a hallucinogenic dream sequence for Punch Drunk Love, and singer-songwriter Beck had asked him to do a series of covers and a video for his album Sea Change (both released in 2002).
And then, something began to go very wrong. Read More...
Photograph by Bret Haller
by Vanity Fair
When Theresa Duncan, 40, took her own life on July 10, followed a week later by her boyfriend, Jeremy Blake, 35, their friends were stunned and the press was fascinated: what had destroyed this glamorous couple, stars of New York’s multi-media art world, still madly in love after 12 years?
Lovely Theresa Duncan liked to go for drives along the Pacific Coast Highway in her butter-colored Alfa Romeo Spider, listening to Steely Dan. She liked the band for the stories they told about hard-luck characters. Some of their lyrics were read at her funeral, on July 21, in Lapeer, Michigan, her hometown.
When she moved to Los Angeles, Duncan had a two-picture deal with Fox Searchlight and had written and directed a pilot for Oxygen Media. She had "my boyfriend Jeremy Blake"—she was always bringing him up—literally the poster boy of the 2001 "BitStreams" exhibition of digital art at the Whitney Museum. That same year, Blake had been tapped by director Paul Thomas Anderson to create a hallucinogenic dream sequence for Punch Drunk Love, and singer-songwriter Beck had asked him to do a series of covers and a video for his album Sea Change (both released in 2002).And then, something began to go very wrong. Read More...
Photograph by Bret Haller
0 comments:
Post a Comment