Showing posts with label Philip Glass. Show all posts
Showing posts with label Philip Glass. Show all posts

Tibet House Benefit Concert at Carnegie Hall

Wednesday, February 28, 2007


Smith and Tibetan monks at Carnegie Hall Monday night. Photo: AP

Death loomed large at the Philip Glass curated benefit concert for Tibet House U.S. Monday night at Carnegie Hall, when a parade of legendary talents - among them Lou Reed, Patti Smith, and Michael Stipe - performed numbers in honor of deceased friends. And as if that weren't depressing enough, when the thrilling succession of reimagined hits and covers stopped, we suddenly realized that all our idols onstage talking about death will die, too. Oh, God.

There were chanting monks, a beautiful, minimalist set from Sigur Rós, and Ben Harper. Debbie Harry happily danced to an acoustic version of "Heart of Glass." And then came Lou Reed, the first to sing about getting old. Ray Davies harkened back to the Kinks' glory days, getting the crowd to sing along with "Lola," "Sunday Afternoon," and "Dedicated Follower of Fashion." He admitted to being foggy about why, exactly, he was there: "This is a great event. I'm not sure of all the details, but the spirit moved me." And then he, too, got wistful about age. "Being in a band at this point in my life is a separation anxiety of the worst sort," he said. "We never know when we'll meet again.

"A very chatty Stipe sang a duet of "Everybody Hurts" with Smith; then he performed "Chorus and the Ring," written in honor of two dead friends, Kurt Cobain and William S. Boroughs, and dedicated to Karin Berg, the A&R rep who'd originally signed R.E.M., the Cars, and Television, who died in 2006. "I've never sung it live before," he said, "other than with my band in my apartment yesterday."

It may have been the best concert we've seen in years, and the night belonged to Smith. She did an amazing cover of "Within You Without You," in honor of George Harrison's birthday on Sunday; she rocked "1959," the rousing antiwar anthem she wrote "addressing the rise of the Beats, the takeover of Tibet by the Chinese, and the beautiful Chevy Impala"; she and Glass gave an incredible tribute to departed friend Alan Ginsberg. Back in 1995, a few months after her husband's death, Smith explained, Ginsberg had brought Smith out of her seclusion to perform at a Tibet House benefit. Every year since Ginsberg's death, Smith and Glass have performed his poem "Wichita Vortex Sutra." Monday night it rose on a slow crescendo till Smith intoned in strident staccato, "I declare the end of the war!"

If only it were that easy. —Jada Yuan

Stipe sang the R.E.M. oddities "New Test Leper," and "Chorus and the Ring," which he said developed after conversations he had with the late beat poet William S. Burroughs. The latter song has never been performed by R.E.M., according to Stipe.

All of my favorite people were there --must have been really great. Let's see if I can find a podcast or mp3 link of the music.

link

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Monday, November 20, 2006

TERRY RILEY

One of Terry Riley's recent projects has him paired with the Kronos Quartet working for NASA. Thanks in no small part to Kronos leader David Harrington, Riley is commissioned to compose music based on radio waves collected by the Voyager space shuttle." [NASA] has done a couple of music projects before," explains Riley. "This one is based on Voyager's exploration, which flew by all of the planets. On board Voyager was a device called the Plasma Wave Receptor, which was invented by a Dr. Gurnett in Iowa. This [device] is able to receive radio waves the planets themselves broadcast, and each planet has a different sound wave."

Riley is the perfect candidate for NASA's space-age string quartets. Here on Earth, he's spent his time creating music light years ahead of his peers. Riley made his giant leap in the '60s with In C, a towering obelisk of a composition that cast an influential shadow over Philip Glass, Brian Eno and Pete Townshend (remember the intro to "Baba O'Riley" from. Who's Next?) and blurred the boundaries between classical music, avant-garde experimentalism and trance-inducing improvisation for all who followed.

Terry influenced not only Steve Reich, Philip Glass and their protégés, such as John Adams, but his influence spread out to certain European rock groups, such as Daevid Allen's Gong, Can and Tangerine Dream. In the case of these rock groups, I think sometimes Terry was the direct link."

He's been around for a long time and is still making beautiful music.

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Saturday, May 13, 2006


The Shape Of Song - Philip Glass, Candyman 2

These images show two different tracks of the same piece, and reflect the underlying elegance and simplicity of the music.

What does music look like? The Shape of Song is an attempt to answer this seemingly paradoxical question. The custom software in this work draws musical patterns in the form of translucent arches, allowing viewers to see--literally--the shape of any composition available on the Web. The resulting images reflect the full range of musical forms, from the deep structure of Bach to the crystalline beauty of Philip Glass. Graphic

Take a look at the repertoire of songs. Fascinating! [via]

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THE WEBSITE NAME

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ABOUT EBC

It wasn't long after 9/11, September 11, 2001, that I began this website. I felt compelled to connect with other people around the globe. I had recently heard about "weblogs" or "blogs" and I dove right into Blogger.com. I searched for others to connect with online and I found Ageless. It led to meeting many great friends to discuss events of the day. From then on it snowballed. Most importantly we offered one another support and friendship across the globe; finding that we were just a few keystrokes away.

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